I actually have already spent a lot of time over the course of my life contemplating the effects of changing perspective upon returning to a place. When I was four, my family moved to Manihiki, an atoll in the Cook Islands that sustained 700 people in two villages. We lived there for close to a year and in the allotted time I grew extremely attached to that hunk of coral; I am still influenced by events that took place there. However, two relevant things happened upon leaving the atoll: 1) I did not consider Hawaii home for a very long time, insisted on using Manihiki-Maori pidgin and was shocked by the wasteful excesses of Kona—which are minimal now that I look back with still more perspective—and 2) Manihiki was struck by a hurricane that leveled both villages on the atoll five months after I left. Therefore I still am afraid to return to Manihiki, knowing it will never be the way I left it. Instead I have turned it into an abstract concept and filled it with all the childish and pure memories I can muster, then labeled it ‘historical fiction’ and filed it away deep in the left brain so those perceptions cannot be tainted by cynicism of mature logic.
More recently I’ve been part of the UW dance between Rome, Florence and Prato, which is a much less dramatic version of rearranged perspective at work. I never realized how guarded I was on Roman streets before going to Florence where I suddenly had no impulse to clutch my purse at all times. Although this is not a change in perception it is a realization of unconscious bias. I think that still counts. Florence also gave me a chance to practice being a traveler in a much safer environment so that Rome now seems much more manageable to interact in. Before this side-trip I was hyper-aware of insulting Italians in the process of exercising my limited knowledge of the culture during interactions. But in Florence, since everyone expects you to be a stupid tourist anyway, I was able to push the limits of my practice much more than usual (also the people were much more open to interactions in general) and now have returned to Rome ready to try again. I feel now like I have a right to project myself into society.
As for Prato, even the small stint we took in that town has reminded me of what non-ancient cities are like. That reprieve from aesthetically pleasing, story-laden buildings gave me time to fight the desensitization to history; I am no longer jaded to fantastic works of art and mysterious ruins. I stepped back down to the streets of Florence and sighed with relief as the artistic family crests stared down from every corner and the cobble streets wound out of sight in ancient disorder. Only the day before I had been unimpressed by Verrocchio’s David because it wasn’t quite spectacular enough. Prato’s industrial nature revived me to appreciate the romantic past of the ancient cities.
However, there are other places I’ve recently experienced that influenced my return to Rome as well. I was among the group that went to Cinque Terre for the weekend after Florence. While there, I fell in love. That countryside is the most idyllic combination of Nisyros (an island in the Grecian Dodecanese) and Kealekekua Bay, my roots and home once I reconciled myself to the change in venue after leaving Manihiki. I was honestly more ecstatic wandering those terraces at sunset than running amuck among the Ostia ruins. And that says a lot. After 36 blissful hours among those warm, pastel-colored houses delved into the hillside and taking my first hike in five weeks through olive groves and marble boulders, touching back down on the dead rock streets of Rome (even cobblestone) was a disappointment. Although I’ve pined for leafy green stuff many times since coming to this city it was never as sharp a pang as when that countryside was freshly burned into my memory.
On my return from that weekend, Rome had changed only a little in my eyes. Rather, it become more distinct in what I already saw. I again appreciated how old its buildings are—even compared to the Renaissance town of Florence but especially to Prato. I saw how few green places there are, although interestingly I don’t hold this against Florence (probably because I have not seen it since recharging in nature). And I felt how much more real Roman life is than in that Florentine theme park.
After all that analysis, the next weekend I joined a large majority of the class in Venice. This was a very different experience from Cinque Terre but just as invigorating. The presence of water was almost as exciting as the presence of green stuff. Again it was a very touristy town and due to Carnevale the crowds were singularly loud and colorful. However, instead of making my return to Rome a relief, it made it just seem slow and dull. I certainly don’t miss the tourist crowds but there was an energy in St. Marco’s Square that by far outshines the day-to-day kind of bustle in Rome. Upon my return, the realness of Rome was again apparent in comparison to that tourism-driven city but from the opposite side of the spectrum.
From all these trials I think I can definitively define Rome’s character as ‘real.’ I would have to return to those other cities to confirm the label plastered on each—not a job to complain about—but for now they must act as my measuring tools. I now know Rome is not my end-all Italian city, however I appreciate the side of Italy it represents.